Makers Who Make any difference
Taking ahead the legacy of Bengal’s crafts, artist Sharmila Sen provides performs which have stories to inform
Artist Sharmila Sen is usually looking out for tales that she will visualise in color and depict through conventional craft - on masks and conch shells, desk mats and lamps. “I have constantly been
fascinated via the a variety of varieties of art and handicraft of rural Bengal. I want to familiarise people today using these area of interest crafts, revive and restore them,” suggests Kolkata-based Sen.
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She is functioning to this purpose for additional than a ten years. Supplying glimpses into her efforts would be the showcase “Art past Tradition” at India Habitat Centre, Delhi. Whilst Sen has lamps painted by
artisans and complicated dhokra goods, dominating the display screen are teak wood masks from Dinajpur (priced Rs 1,two hundred upwards). Aside from the more acquainted deities, like Ganesha, Shiva and Durga, we also
see tribal warriors and tribal dancers. “At one particular time these masks have been worn all through classic Gambhira dance but now it is exceptional to uncover them,” says Sen, who commissioned an artisan Sankar Das in Dinajpur.
“He is the very best craftsman in wooden carving that i have at any time viewed.”
The greater elaborate masks convey to mythological stories - if there are episodes from Bhishma’s everyday living in one, in another mask painted with vegetable dyes, Sen has Durga with Shiva and their little ones, Lakshmi,
Saraswati, Ganesha and Kartikeya and their vahanas. Sen would sketch the episodes and worked carefully with Das to style and design the ultimate item. A different wall is devoted to Kalighat and Bangla pattachitra
paintings (priced Rs one,700 upwards). “Kalighat pattachitra will before long turn out to be extinct, you will find rarely any practitioners now. I also have two pattachitra paintings that happen to be a lot more than a century old,” states
Sen, who presently performs with thirteen artisans from 5 districts in Bengal.
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Hoping the classic wares achieve the mass market place, Sen also has ornamental hand-painted knickknacks that come with plates, jugs, hand fans and spatulas. “I hope to work with artisans from a lot more districts
in long term,” suggests Sen, as she turns to your curious buyer to go to to his question. “I like to convey to individuals whatever they are buying, that is how more and more people will turn into conscious. They are heritage.” KO Lap kwong David
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on display January 19 by means of June 16
The New Artwork,” was very first identified
Getting forward the legacy of Bengal’s
Getting forward the legacy of Bengal’s crafts
Hoping which the conventional wares reach

來自台灣的婦女到印度去教書，開辦瑜伽學校：通過冥想重新認識自己。
我們之所以想建立一個瑜伽俱樂部，只有一個原因，那就是用“分享”的心情把“好”的事情傳達給公眾。瑜伽迷創始人曾琬媛 Augusta的第一印象是她的短發，柔軟優雅，坦率的外表，隱藏了她作為一個女性企業家的柔軟身材和有

能力的勇氣。
花店這邊有為你精心準備的花束和花籃，滿足顧客的要求，不需要自己動手也能看到精美的插花藝術
當談到奧古斯塔和瑜伽的命運時，這是一個轉折點！她第一次接觸瑜伽是在她生下一個兒子的那一年，但她的功課“非常糟糕”，她不想再次接觸瑜伽。直到一年多前去了一個“瑜伽名不像瑜伽課”的啟蒙老師，她才改變。因為當時

的人數很少，她訓練她在近距離教學中正確使用呼吸和肌肉。我沒有意識到，在短短三個月的時間裏，困擾她多年的背痛有了很大的改善，這讓她感覺非常棒！
從自己的需要開始創業
自從瑜伽課讓奧古斯塔大吃一驚以來，她一直想學得更深一些，但由於種種考慮，她一直找不到地方去參加。她說：“她想上一小班好課。”大運動場的系統和安全設備真的很難做到嗎？“除了這個想法，奧古斯塔還發現很多地方的

人和他們一樣誤解瑜伽，所以他們希望創造一個小班教學。有了老師和環境保證的練習，更多的人可以很容易地接近瑜伽，然後再創業。”
在此期間，奧古斯塔還繼續學習瑜伽。她發現瑜伽不僅是一種身體上的調整，而且可以衍生到健康和精神層面。甚至她的朋友也清楚地感覺到了她的進步。經過認真的思考和討論，大家決定走創業之路。
充分行動，從消費者的角

度看待事物
從找到點子到尋找商店、裝修、員工尋找等等，在奧古斯塔瑜伽學校籌備的七個月前後，她的瑜伽學校正式成立，如此之快，完全“行動”原則，你可以看到她強大的執行力和無畏的勇氣。
奧古斯塔承認，他的學校營銷方法是免

費的，因為他覺得“打好基礎，做好服務”是創業初期的重點。有了良好的服務，顧客的口碑自然就會出去。她認為，滿足消費者的商業利益，現在的重點應該是“能夠在服務內容上更加努力地工作，創建服務平台，並首先促進好的教

師讓更多的人正確地理解瑜伽”。
與其他創始人不同的是，由於她自己仍處於學習和探索瑜伽的階段，她可以從“消費者”和“初學者”的角度進行同樣的思考。通過她自己的經驗例子，她讓周圍的朋友和成員感到更加真誠和有說服力。
參加教師培訓課程，學會

尊重與自己不同的人。
為了獲得更多的瑜伽經驗，奧古斯塔今年9月參加了美國瑜伽聯合會RYT 200國際瑜伽教師培訓，為期16天，停留在步調緩慢的台東，與世界各地隔離學習各種瑜伽知識。奧古斯塔在訓練期間遇到了各種各樣的人，從20多歲到50多歲的

英語老師，甚至自稱是外星人的室友。
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但無論如何，老師還是以積極的方式關心每一個學生，引入瑜伽的理念，不評判他人，尊重每個人都是不同的個體，引導每個人重新認識自己的靈魂。16天後，學生們敞開心扉，相互信任，相互學習。奧古斯塔將這些鍛煉描述為不僅

是基本的體育鍛煉，而且是通過冥想重新發現自己的狀態，這更符合她追求自我超越的願望。一種無法與他人相比的狀態。
個性帶來積極的幫助和分享
瑜伽迷開業六個月後，奧古斯塔和他的一位朋友獨自前往印度Racekish的出生地，體驗一種更不同的瑜伽文化。在出發前一個月，他們從團員那裏收集了一盒愛心和文具，隨身攜帶超重的行李，為印度的貧困兒童帶來台灣的祝福。

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古雅書店Alessandro Michele不僅僅是時尚

plae, the cult sneaker brand for kids, now has bigger shoes to fill
Four years ago, kids’ shoe startup plae entered the market in a big way. The shoes–designed by founder Ryan Ringholz, former lead

designer at puma–were quickly embraced by kids in the celebrity set. (The Afflecks and Kutchers are fans.)
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When Ringholz had kids, he wanted to use his experience to design shoes that actually met the anatomical needs of children, whose bones have not yet set and whose foot structures are still developing.

Having spent his entire career designing shoes, he felt that kids were a very specialized consumer that had been underserved by the market. “It’s a dark truth of the shoe industry that we don’t focus on

kids enough,” Ringholz says. “But if kids don’t have the right support, it can lead to all kinds of orthopedic issues later on. So designing for their feet is a fascinating challenge.”
Since plae

launched, the company has heard from parents whose children have sized out of junior sizes, so today, it is launching adult shoes.
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 The new sneakers are sleek, with interesting geometric design features, plus some tech components, like an alternative lacing system and sole that you can adapt to your personal preferences. plae

has also launched an open-source insole design system that will allow users to 3D print soles that are adapted to the curvature of their particular foot. “No two feet are the same,” Ringholz. “That’s why

athletes all have custom shoes made for them.”
plae has been growing fast. In March, the brand expects to sell its one millionth shoe. To celebrate this achievement, they will be awarding the customer

who makes this purchase with a year’s worth of shoes.
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What have been some of the notable challenges you
Speak to the importance of pushing the envelope
the ecosystem you’ve set out to establish
How do each of your unique backgrounds
You both had opportunities to keep building